Details: Aired in 2017. This is a four-part crossover, television show special comprised of episode 8 of season 3 of Supergirl, episode 8 of season 6 of Arrow, episode 8 of season 4 of The Flash, and episode 8 of season 3 of Legends of Tomorrow, in that order. Each episode is about an hour-long and aired on the CW.
Ever since the CW started airing more than one DC Comics superhero show, they began to air an annual crossover episode where the heroes on all their respective superhero shows team up in a self-contained story arc and fight a common enemy. This means more special effects, more action, and more funny/strange moments between characters who would normally never interact with one another.
The crossover miniseries this year is the largest to date as it combines the cast of Supergirl, Arrow, The Flash, and Legends of Tomorrow. You’d think it wouldn’t work, but despite some cringe-y moments, it mostly does. If you are at all a fan of the CW’s superhero shows, this is the television event you should watch.
Details: Airs on the CW. Twenty-three episodes this season at an hour a piece, including commercials.
At this point in my life, if there’s a superhero in the show, I will watch it. I can’t help it. I just like superhero stuff and I’m too curious to do otherwise. So after the last season of Arrow, I wasn’t expecting much this season. I didn’t enjoy the last season. Fortunately, while this season does make a few of the same narrative mistakes as last season, I generally enjoyed it.
Arrow returns to the CW for its fifth season and it already feels better than last season. Arrow, for lack a better description, is pretty much Batman with arrows. Sticking closer to the street level, crime fighting aspect of the show is largely why this episode feel so much better.
At the end of last season, they just defeated the magic using Damian Dark and saved the city. This season begins with the Arrow squad all but disbanded (except Felicity) and Oliver on his own again, balancing his time between fighting crime and being the mayor of Star City. New gangsters and criminals move in and Oliver must build a new team of crime fighting allies in order to oppose the new enemies in his city.
There are a lot of new faces this season and they each bring new life to the series. Some bring comic relief, some bring a little more drama. I won’t go into the new team members because there hasn’t been enough episodes to explore each one. However, you can be sure that each will get an episode for the purpose of character development.
What I didn’t like was the formulaic stuff. New mystery villain, shoots arrows. Maybe the big reveal will be something more rewarding and less cheesy than having someone die and then having another misleading red herring every episode that someone is going to die.
Score: 6.8/10 Good start to the season. Looking forward to seeing more team dynamics play out, maybe some scenes reminiscent of what Joss Whedon has done.
If you go around the online forums to measure the general feelings on season four, your going to find a consensus on how much this season sucked. I don’t feel as negatively as most online commentators, but it wasn’t a great season.
The main crux of this season focused on a number of things. It focused on Damien Dark, the big bad this season. Dark was really cheesy whereas Ra’s Al Ghul was darker and more menacing. The romance between Oliver and Felicity was really cheesy and just reinforced the idea that this show is on the CW.
The biggest disappointment was that the whole season was about trying to figure out who was in the grave. They showed someone dying in the first episode and the rest of the season was spent throwing red herrings and fake outs about who was going to die. It was such a repeated gimmick that by the end I just didn’t care. You can only watch so many episodes about whose going to die and then getting faked out before you just stop giving a damn.
The side story on the island was also pretty bad. Why is he still on the island? Jeez show runners, realize that you don’t need to keep telling a flashback plot line anymore. Just tell the story in the present. It’s a tired storytelling gimmick.